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Authentication in Art Congress Posters

A list of poster submissions of the previous Authentication in Art Congresses can be found below

Congress 2014 Posters

Lead White Isotope Analysis on a Painting by Édouard Manet

Case study of the scientific expertise of an XX th century painting court case

Garofalo’s circumcision (1519) : Examining Authenticity

Dendrochronological investigations of stretcher frames from canvas paintings – linking wooden frames of a larger fraud case to a common origin

Discrimination of blue copper phthalocyanine polymorphs by chemometric analysis of micro-Raman results from paint layer samples of “real” fakes

Interdisciplinary Practice and Attribution Challenges: Facing the Catalogue Raisonné in an Authentication Framework

Portable XRF analyses – non-invasive pigment identification, supporting authenticity assessment and dating of the 19th century paintings

Modigliani, what else?

Manet or Not?

The First Explorations of Color X-ray Imaging on a 19th Century Painting

Rediscovery Of ‘La Famille Soler’ By Picasso Through Portable Analytical Instrumenation

Abstract Expressionist Catalogues Raisonnés and Art Authentication

Congress 2016 Posters

Development of a Sampling Tool for the Stratigraphic Study of Historical Paintings

Microscale Radiocarbon Dating of Paintings

Morphological Research of Baruch Spinoza

Setting Standards for Technical Authenticity Research

Congress 2018 Posters

A multidisciplinary approach to establish the authenticity of a version of Rubens Garden of Love”

Examining Authenticity of Gouache Painted Letter Offikret Moulla

Tracing inside the camera, Johannes Vermeer (1632-1675), The possible use of the camera obscura by Vermeer: An artist’s investigation

Violon. Céret by Pablo Picasso: the case of a lost painting: A Methodological Approach

30 years of false attribution for the Ligurian maiolica compendiario: an archaeometric perspective

Matrat Boatyard, Moret-sur-Loing Signed ‘Sisley’: An Investigation in Materials, Style & Provenance

CONGRESS

  • AiA 2018
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